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2. Compare it to other similar works to place it into a tradition of such usage.
"The Beginning of the Gospel of Jesus Christ" 130r
3. Compare artistic styles and draw on experience studying graphic designs of that era.
A short analysis of the man and lion on this page can be simple. The lion is often a symbol of divinity and also a symbol of Mark: they are symbolically intertwined for this Gospel.
In Mark's Initial page, A/S A designed a page in a similar style that he used previously in Matthew's "Liber generationis" (29r.) Fendi Wallet Warranty
Attempting to understand the meanings of the images in the Gospel books, we have at least three concepts to take into consideration.
This is the third of five full page Incipit Illuminations of the Gospels. They are called "incipit" because each one uses the first word or phrase of each Gospel text as the basis for a spectacular introduction to each Gospel. Matthew had two such pages: "Liber generationis" (29r) (The book of the generations) and "Chi Rho" (34r) (Christi autem generatio The conception) See IAN, May and June 2011.
1. Determine if the image is deliberately placed within a Monster Tote Bag Fendi
Using his highly developed artistic vision he, again, created a unified page filling design. In his "I n I" the top and bottom of each "I" are knot work designs of blue, violet or red snakes. Bands that are filled in with interlaced snakes and peacocks designs fill in spaces around boxes of text from the upper right side of the design down to the bottom left. Snakes and peacocks interlacing fill the spaces inside the "I n i" letters. Less space is devoted to the approximately 110 "spinning" spirals and disks.
Earlier Insular Gospel's scribes/artists first Backpack Fendi Monster Price used the design of combining the letters, "I n i," to appear to be the letter "N" and "I n I." Later, monks copying the Fendi Wallet Man
Initium Euangelii Ihu Xpi
As suggested earlier, one particular scribe, who I call Artist/Scribe A, (A/S A) with more or less collaboration with other scribes, does them all. A/S A deliberately creates designs using color, artistic imagination and amazing visual techniques (can I add inspiration?) to evoke in readers a sense of divine presence, of spiritual epiphany and ecstatic rapture feelings and emotions appropriate to accompany the words of the deity. We can surmise that all early Gospel scribes endeavored to do that but the scribes of the Book of Kells actually achieved it especially A/S A.
Careful observation shows the man's arms and legs are interlaced with the lion's body. Finally, the band that starts at behind the lion's head and goes down the right side around the text boxes and across the bottom is actually the lion's body. The man appears to be seated on one of the lion's front legs.
designs, would immediately know it is "I n i," would insert the rest of the letters in boxes where there was room. The "I n i" combination was a recognized design, using a backward "s" shape to connect the two "I"s.
St. Mark's Initium Euangelii Ihu Xpi
text and is connected to it, either specifically or symbolically.
There are two other figures in the upper right, which I think were done by a collaborating scribe. The style is different than A/S A's and similar to other figures elsewhere in the Book. A man in white clothing with red interlacing is in the jaws of a lion. There are a few anomalies in this drawing, but I don't think they have any special meanings. The man has white clothing on, he is not painted white. Look at his neck and see a definite collar. His left hand pulling on his knotted beard is attached to his right arm. The right hand holding the lion's tongue is attached to his left arm. Also, it appears he has two right feet.
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